Re: [-empyre-] Re:"Is Modernity our Antiquity?" time extension
Thank you for your patience with me Christina:)
and more for this fascinating session full of life and of creativity from
any parts.
A.
On 3/04/06 5:38, "Christina McPhee" <christina112@earthlink.net> probably
wrote:
> dear -empyreans-
>
> Endings are a time to meditate on time (belatedly, sans doute):
>
>
> with Jeremy Welsh, "struck by the poetry of "Is Modernity our
> Antiquity : time extension" which seems to say a lot about our
> relationship to both time and modernity"
>
> and Eric Kluitenberg's observation " that a theoretically finite
> space can still be experientially and subjectively experienced as an
> infinity..."
>
> and with that, we are left with the ruins of the month, and can
> sift through the debris in the archives to see if there are any
> useful tools or treasures hidden therein.
>
> Thanks everyone for participating through patient reading and
> thoughtful posts, to this very complex topic and discussion, which
> apparently will find its way into another media incarnation next year
> in Documenta 12 (Magazine Project). I'll keep you posted on news of
> its release, whether on line or in print.
>
> With what amazing verve people have engaged this topic! -- archived at:
>
> https://mail.cofa.unsw.edu.au/pipermail/empyre/2006-March/date.html
>
> Contributions gratefully received from
>
> Aliette Certhoux, Brett Stalbaum, Christiane Robbins, Christine
> Goldbeck, Millie Niss, Federico Bonelli, GH Hovagimyan, Henry
> Warwick, Isabelle Arvers, Lucio Agra, Marc Garrett, Pall Thayer,
> Patrick Lichty, Saul Ostrow, Simon Taylor, Thomas Schmidt, Brad
> Brace, Annick Bureaud, Regina Pinto, and Jeremy Welsh.
>
>
>
> This month's theme was taken on by Christophe Bruno (FR), Dirk
> Vekemans (BE), Erik Kluitenberg (NL), Christiane Paul (US), with
> moderator / guest Christina McPhee (US).
>
>
>
>
>
>
> ------------------------------------------------------------------------
> -------------------------------guests for "Is Modernity our
> Antiquity?" March 2006 on -empyre- soft-skinned space
>
>
>
> ------------------------------------------------>Christophe Bruno
> (FR) lives and works in Paris. Awarded with an Honorary Mention at
> the Prix Ars Electronica 2003, he¹s been exhibited internationally in
> many places: Transmediale, ICC, galerie Sollertis, Nuit Blanche, File
> Festival, Modern Art Museum of the city of Paris, Tirana Biennale,
> ReJoyce Festival, Microwave International Media Art Festival in Honk-
> Kong, P0es1s.net in Berlin, Read_Me, Vidarte in Mexico City....
> http://www.christophebruno.com
>
> ----------------------------------------------->Erik Kluitenberg (NL)
> is a theorist, writer, and organiser on culture, media and
> technology. He is head of the media program at De Balie - Centre for
> Culture and Politics in Amsterdam, and teaches at the Institute for
> Interactive Media at the Hogeschool van Amsterdam. He's contributed
> to organization and content at the International Symposium on
> Electronic Art (ISEA), Interstanding I, II, & III (Tallinn, Estonia),
> The P2P - New Media Culture in Europe conference, "Tulipomania DotCom
> - A Critique of the New Economy" for Next 5 Minutes, "net.congestion
> - International Festival of Streaming Media" (2000), "Debates &
> Credits - Media Art in the Public Domain" in Moscow, Amsterdam and
> Ekaterinburg (2002), the Amsterdam edition of World- Information.Org
> (2002), and the mini-festival "An Archaeology of Imaginary
> Media" (2004).
>
>
> --------------------------------------------->Christiane Paul (US) is
> the Adjunct Curator of New Media Arts at the Whitney Museum of
> American Art and the director of Intelligent Agent, a service
> organization and information resource dedicated to digital art. She
> has written and lectured extensively on new media arts and her book
> Digital Art (part of the World of Art Series by Thames & Hudson, UK)
> was published in July 2003. At the Whitney Museum, she curated the
> show ³Data Dynamics² (2001); the net art selection for the 2002
> Whitney Biennial; the online exhibition "CODeDOC" (2002) for artport,
> the Whitney Museum¹s online portal to Internet art for which she is
> responsible; as well as "Follow Through" by Scott Paterson and
> Jennifer Crowe (2005).
>
> ---------------------------------------------->Dirk Vekemans (BE) is
> a digital poet and multimedia artist in Lueven. He invented and co-
> organised ?Leuven Per Vers¹ an event of poetry, protest and
> performance in 1996, and until 2004 has published literary works and
> multimedia experiments in Dutch through ?Nederlandse Literatuur @
> ViltNet¹ a ?small-scale marginal distribution of cultural goods¹ at
> http://www.vilt.net In September 2004 Dirk initiated the ?Neue
> Kathedrale des erotischen Elends¹ (NkdeE) registered as a linked art-
> object in Rhizome¹s Art Database. The NkdeE was also part of the
> ?Mostra Internacional de Poesia Visual e Eletronica¹, category
> Electronic Poetry, Sao Paulo, November. The three part work ?MU¹ was
> admitted to Regina Pinto¹s ?Museum of the Essential and Beyond¹
> http://arteonline.arq.br/
>
> ------------------------------------------->Christina McPhee (US) is
> a multimedia artist working with landscapes of scientific
> visualization and cinematic image through a performance based use of
> video, installation, digital photography, data base net art and
> drawing. Based in California, she is investigating the seismic
> landscape, and the aftermath of debris flow, in the wake of global
> warming. Upcoming exhibitions in 2006 will include a solo
> installation, "La Conchita mon amour,' at Sara Tecchia New York in
> October and, at Cartes Centre for Art and Technology, Espoo,
> Finland,a video retrospective from May to September. http://
> christinamcphee.net_______________________________________________
> empyre forum
> empyre@lists.cofa.unsw.edu.au
> http://www.subtle.net/empyre
>
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